'Outside, the Yourcenar House is a Good Neighbor'

Of course it should be remembered that the most respectful way of living in an old house is to make no changes to it at all… In thecase of the Northeast Harbor house that French author Marguerite Yourcenar acquired in 1950, no major changes were made.

The photographs show the results of the process we all use to make our dwelling places our own - we fill it with our own stuff. Too often today that means gadgets and high-end appliances and media centers, but the Yourcenar house, which the owner named "Petite Plaisance," is filled with things that stimulate personal memories. It is not surprising in the house of a writer that the main artifacts should be books, on shelves added wherever there was an underused space. Quirky additions done for self-evidently functional reasons, rather than "effect," make the interior look inhabited rather than decorated.

Yourcenar was once asked why she chose to live in Northeast Harbor instead of returning to her native France, to live in Brittany. She replied, "I have my Brittany here." Looking around the rooms full of personal possessions confirms that. We all have our histories with us, and we fill our spaces with objects that remind us of who we are. We may be at home in Maine, but our houses contain evidence of the larger world that is our real home.


Outside, the Yourcenar house is a good neighbor… It is essentially a vernacular gable-end design with a long ell. Its steep roof had been extended down to form a "piazza" along the side, and a bay window of similar Italian origin had been added to dress up the front. In this case the house sits on a town lot in a village, and its ell porch is shaded by an arbor more typical of France than Maine. But it has not been made to look "foreign"; it has just been enhanced by an unobtrusive addition that quietly differentiates it from quite similar neighbors.

The conversation is polite, a chat among friends in which one friend has a slight foreign accent. Too often our streets are either boring, with very similar houses saying nothing of interest, or noisy, with showplace houses crying out for attention. The classic Maine village is like the conversation around the stove in thegeneral store - each one says only what needs to be said, in an atmosphere of understated consensus.